![]() If you’re looking to combine a light overdrive and a noisy fuzz for example, the overdrive can work as a base to build the fuzz off of (drive before fuzz). While stacking different drive pedals can sometimes be a challenge alone, a generally popular way to start stacking is to order the drives in relation to how much they are affecting the signal: the lower the noise, the earlier in the chain. Some effects may get in the way of your tuner picking up your signal, so for clarity and accuracy, tuners can usually be found up front. The reasoning for this trend is rather straightforward: to best pick up your guitar signal to accurately tune, you’ll want the clearest and cleanest output you can get from your instrument to the tuner. However, here are some common trends that you may see on a pedalboard: Tuner LeadĪn almost universal trend in signal chain order is putting a tuning pedal first in front of all other effects. Everything is up to interpretation as to what makes your sound your sound, so don’t get too nervous because there are no wrong answers. There are no laws of nature regarding signal chain but there are some common rules worth following to preserve tone and get the most out of your pedals. With power supplies and patch cables ready, let’s jump in. ![]() For that, here are a couple of quick pointers for setting out on your effect pedal journey. You may consider how your pedal order affects that perfect sound you are going for and how it can best come together. You’ve got the guitar, the amplifier, and now, the all-important effect pedals. There are many schools of thought about effect pedal order, but where do you start? When you hear someone talk about signal chain, effects chain, or effects pedal order, they’re talking about the dynamics that play out by ordering guitar pedals in a particular way. ![]() Whether it’s a wah into a fuzz, an overdrive into a chorus, or a delay into another delay, you may already be an expert in signal chains from your favorite artists alone! Many guitarists rely on some series of effects to achieve their sound, and with so many pedals out there today, the combinations are limitless and the tones are incredible. We know ‘em, we love ‘em, but what’s really going on when they’re all hooked up together? One pedal alone could produce any number of awesome tones, so what’s the big picture? What’s great about effect pedals is their ability to play off each other when connected in a sequence, one after another.
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